9 October 2011

The Big crunch & the House of contamination
























© Raumlaborberlin

In Raumlabor's apocalyptic scenarios, capitalism and global litter threaten mankind survival; a temple of discarded doors and chairs is crawling towards the Darmstadt's Theatre to fight/ escape, the imminence of a disaster.





















© Raumlaborberlin


It echoes the Merzbau, when Kurt Schwitters transformed his home into an expansion which was growing vertically and out of control. Here the threat is still global : will humanity use its creative power to rise out of chaos or will the sterile processes of our political and economical world swallow the Earth until space reverses onto itself ?



















© Raumlaborberlin


Built from the left-overs of mass-consumerism The Big crunch investigates new social territories, expands organically from inside out, assembles domestic rubbish to create a physical space for social gathering.













© Raumlaborberlin/ photo © Max Tomasinelli

Same alternative at the House of contamination, an architectural model for Artissima's cultural centre and indoor cityBy skillfully piling-up the leftovers of mass-consumption (plastic bottles, packaging, advertising papers, fabrics ...) to create the skeleton of the House, the walls reveal layers of trash like archeological stratas of the present.

































© Raumlaborberlin/ photo © Max Tomasinelli

We are invited in the Palace of our rubbish : there litter holds the potential to shelter us, fridges are book shelves and rejected clothes cover the floor of a garage. A corridor bathed by a breeze gently opens and closes parts of a translucide curtain, where compartimented areas host a program of dance, urbanism, cinema, education, litterature, design.





















© Raumlaborberlin/ Max Tomasinelli



The Skywall which dominates the whole of the architectural intervention acts as a tolerant type of panopticon : anyone can place himself or not in the tower of control, but can't intervene on what is happening in the rooms of the first floor.
Overlooking the city from this observatory platform, we face the reality about its potential future : if we all control the machine, how to make it run now ?













© Raumlaborberlin © Max Tomasinelli


When materials, people and programs collide, interesting moments of ambiguity and tension lead to negotiations over needs, desires and purposes, and hopefully allow new forms of collaboration to develop. We consider this negotiation process an essential part of the production public space. New forms of collaboration spark the hope for a different and better world, for a human overcoming of the endzeit scenarios. Again the future is uncertain. Let’s contaminate radical individualism. Collectively is not a choice, but a necessity. 
Raumlabor

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